Final Track – Age of Kings Soundtrack Remastered

Back in the day, Age of Empires 2: Age of Kings was the single greatest experience on the planet for a 10 year old (and probably most of the population older than that). In reverence, honor, and for the fun of it, I’ve decided to start remastering the tracks with some of the new instruments I have (and lots of the old ones).

While the game itself is legendary and wonderful and the soundtrack is excellent, the naming conventions on said soundtrack are not. While there technically are names, most of them are inside jokes to the composers/developers. On top of that, the music in the song is just one giant 40 minute mp3 file.

So I’ve done my darndest and have named the first piece… Final Track! Because… it is the final track on the 40 minute mp3 file. Get it?

You can also find it on my YouTube account.

Multiculturalism and What it Does Not Do

The explanation I’ve received to the question “What good is there in multiculturalism?” is usually consistent. It involves notions of being “fair”. It is required by “free speech” and “freedom of religion”. It stems from “judgement” being bad and “tolerance” being good.

Tolerance is a curious term, because toleration requires disagreement. One cannot tolerate their favorite food. It is the meal cooked for them by a friend that they are obliged to accept but with which their stomach disagrees that they will tolerate.

Tolerance aside, multiculturalism is itself a self-defeating proposition. I believe multiculturalism ends with all cultures being equally irrelevant instead of equally treasured. If the premise of multiculturalism is that all cultures should be equally valid, there is no other conclusion to be drawn.

Suppose this: Orthodox Christians believe that Jesus Christ is the only path to God. The consistency of this stance through the ages is unquestionable, even if someone disagrees with the stance itself. The primary foundation of Christianity requires Christ to be in this role. A Christian in a pre-modern world would say “Christ is the only way to God.”

Enter multiculturalism. The Christian is now pressured to change his line, but not entirely. The first stage of multiculturalism is simply in asserting the inherent  value in every belief system, and at this stage, Christianity is not by any means excluded. So a Christian is now to say “Christ is the only way to God for me.” It may seem harmless to some. Perhaps for some cultural issues it is. “Cooked steak is the only kind of steak for me” because I don’t eat raw meat, even if it is free of anything that seeks to kill me on ingestion. For Christianity, it defeats a primary tenet of the faith.

But multiculturalism isn’t done yet. Now that all cultures are equally valued, the cultures are encouraged to go a step further. All cultures deep down are equal. “Christ is one way to God” is the new slogan. You see, in this view, ‘God’ has many names. There are many paths to ‘God’. The road is wide. There are many who seek it and find the end. Christianity and Islam and Buddhism and even spiritual humanism are all really the “same religion”. The trappings may differ, such as the form of dress or style of music, but fundamentally all are one.

All along, the State must decide what this ultimate “same religion” is. After all, contradicting it with statements like “Jesus Christ is the only path to God” is tantamount to not equating the value of all religions, which is tantamount to not equating all religions.

But herein lies the first problem. It is not the trappings of religions that differ, but the beliefs! The trappings are mostly the same. There are clergy. There are Holy Books. There are liturgies and songs and spirituals. There are ideas of the past, the present, and the future. But what those beliefs are is fundamentally, irreconcilably different!

The second problem comes with the role of the State. In promoting multiculturalism, the State promotes the eventual equating of all religions with all other religions and the selection of what the “same religion” that every believes ultimately is. The State, then, becomes the church, one in the same. It decides what ‘hate speech’ is and deals with it swiftly. It rewards people who promote the “same religion” as everyone else.

So, in the end, multiculturalism promotes only one religion. All the differences dissolve away, on the surface at least. Instead of equally valid cultures, the end result is one culture. Instead of Americans having pride in America and Britons having pride in Britain and Franks having pride in France, humans have pride in humanity. What is lost is the essence of America, Britain, France, and all other nations. What is gained is forced equality of ideas, which leads to tyranny at best and a colorless world at worst.

As you can probably gather, I oppose multiculturalism and I think others should as well. I believe in the very Christian notion that the State must not interfere in matters of religion and that “freedom of religion/conscience” really means what it says it means. It does not mean that all cultures and religions are equally valid. It is one of those paradoxes that often resides in the space between the conception of an idea and the result of its implementation. If the goal of multiculturalists is to promote the good aspects of every culture, then multiculturalism is the last tool that should ever be used to do so.

My Theory On Soundbites

It has been said that:

By a small sample we may judge the whole piece.

This is generally true. Most of us never encounter the ‘whole piece’ of anything, and we are left to infer what we know from what we do encounter. This doesn’t mean that our analysis is always accurate, however. For one thing, the ‘small sample’ must be determined without bias, which is particularly hard to do.

Follow me for a little bit. I need some time to make my case for the theory I have about soundbites, as the title proclaims.

Consider book reviews for a moment. Those of us who read novels generally hear about them from people we know, people we respect, or book reviews. Our views of those books are influenced at first by the feelings of the person who introduced us to them. However, I don’t believe that most readers would report that they like or dislike an author on the basis of a review. I don’t think most readers would report either claim for snippets out of some of the author’s works.

Perhaps reviews and quotations have their place. They entice us, make us curious, or drive us away. It would be dishonest to base our opinion of the author’s work on some quotations or some reviews. After all, reviews and quotations are one level removed from the author, who may have had different feelings entirely. Quotations are especially dangerous not because they are never useful, but because they can be too useful and relied upon too heavily. A quotation must always sacrifice some context in order to be a quotation instead of a full text.

When a reader finally decides they would like to know how they feel about an author, the test is generally pretty simple: Read one of the author’s works. It is not a difficult concept to grasp, particularly because it is fairly common knowledge.

In reading a generic novel, let us suppose that the average length is 800 pages, and the average time spent reading a page is 2 minutes. The amount of time spent reading a novel then is 1600 minutes or nearly 30 hours. Quite a bit of investment into the effort, but in the end you may have a new favorite author, a new favorite book, or at least a good case to never have to read from the author’s works again.

What does this have to do with soundbites?

“Soundbites” are those little clips of people talking on radio or television. They are played over and over through news stories or on talk shows. They parallel book quotations and reviews in several ways: They always sacrifice at least some context, and they are not chosen without bias.

Recently, Rush Limbaugh, a very popular radio talk show host, came under fire for a few things he said about a college student who testified to congress about birth control. I’m not going to get into a political issue in this thread, but over the course of his monologue he said a few things that were less than helpful and even hurtful for some. He apologized soon after with some taking his apology seriously and others dismissing it outright as fake. Neither side particularly matters for my Theory on Soundbites.

My Theory is this: We use Soundbites to judge the speaker in ways we would never use book quotations and reviews to judge authors, who we typically afford the respect of reading before making our final conclusions.

Angry people on Facebook, news sites, talk shows, and radio shows all gave their reviews of the character of Limbaugh based on less than one minute of speech.

If you spent 60 seconds reading a book before deciding you enjoyed the author or book, based on our numbers earlier, you would be basing your review on .0625% of one of the author’s works. Not particularly helpful if you want an accurate view.

But consider for a moment how much time Limbaugh spends on his show a year. 5 days a week, 3 hours a day, 52 weeks a year; approximately. Instead of our 30 hour book, this is 780 hours per year of communication. Sixty seconds of this is .00214%.

This is a source of great irritation for me. Somewhere between thousands and millions of people base their entire opinions of people like Limbaugh not on the charities they do, the good things they say, honest analysis during listening or reading, or communicating with them directly. They base it on .00214% of what is said over the course of a year, specifically pulled out not randomly, but with an intent in mind. It is without entire context, as all quotations are; how many people who made sweeping criticisms of Limbaugh even bothered to listen to the full hour that this soundbite appeared in?

In the end, if we are going to allow people with recorders the opportunity to dictate our opinions of people, we are in a sad state. Instead of appealing to Soundbites, why don’t we spend some time listening? If, after a day or perhaps a week, one still has the same opinion of Limbaugh or any other person in his position, I will be genuinely surprised.

I’m a Conservative, But What Does That Mean?

“I was raised in a Christian home”

So begins the testimony of myriad Christians in myriad communities around the world. The same statement could be said about political views.

“I was raised in a Conservative home”

While there are certainly disagreements among people (typically those who are not Christians) about what being a “Christian” actually means, that term is much less likely to cause confusion than “Conservative”. And there is a pretty good reason for this.

Being a “Conservative” or a “Liberal” can mean any number of things in any number of contexts. To be Conservative with nature might be seen as a Liberal view in some cases. To be Liberal with your hospitality might be seen as something that southern Conservative states are known for. The terms have meanings,  but they are pretty general definitions.

As simply as can be stated, a Conservative leans towards preserving the way things are, and a Liberal leans towards changing things. A Conservative’s position, therefore, is more obvious than a Liberal’s (who may have different interpretations of ‘change’). At the same time, Conservatives often never break away from the stereotype that they only wish to preserve the status quo because they are afraid of change.

I’ve heard people define both terms specifically for themselves, but I haven’t done so myself. I’ve stated why I’m a political/social/religious/philosophical Conservative in the past,  but inexplicably I’ve forgotten the crux of the entire message: What does that mean?

Here is my definition.

A Conservative believes the world is as it is because those that preceded them had some sense of right and wrong. Conservatives do not believe the world is perfect, but that it is far better than popular opinion would have it.

A Conservative believes change is neither good nor evil, but certainly not always inevitable. When change comes, the Conservative desires sufficient reason to embrace it. If a case cannot be made that satisfies the Conservative, it will be rejected and opposed. If a case can be made, the Conservative will insist that the change occur gradually, and that it not proceed farther than was intended originally.

A Conservative seeks to preserve what is good and not to reinvent it. A Conservative seeks to trust what has been given them not unquestionably, but respectfully.

A Conservative believes humans have fundamentally always been the same sort of creature. That power corrupts anyone. That work strengthens character. That we must subject our passions to our wills, lest we lose our civilization.

I think that just about does it.

Would I Rather Be A Complete Composer, or Just Komplete

There are two kinda pricey pieces of software that have entered into the portion of my mind I reserve for thinking about ways to justify spending money. As a musician who uses a computer for a lot of the heavy lifting, Virtual Instruments have become the bread and butter of the work I’ve done.

The two things I’m torn between, The Complete Composers Collection and Komplete 8, are both incredible products. The former is more acoustic, symphonic, and ethnic in nature while the latter contains top-of-the-line synthesizers and some other incredible instruments and collections of effects and digital amplifiers.

The reason I’m torn is that both are (when not on sale) about the same staggering $1000 price. And both are absolutely enormous tools. From what I’ve gleaned from composer’s forums, Komplete has an incredible player that allows a composer or musician to tweak virtually every aspect of the instruments. Some of the synthesizers and keyboards are unbelievably amazing.

Complete Composers Collection, on the other hand, contains a word-building choir which sings what you type and sounds great doing it. It features a number of symphonic instruments, a rock collection, a drum suite that is used in feature films, and various other libraries ranging from pianos to acoustic ethnic instruments.

At this point, as I have in the past, I’m leaning towards CCC. While someday it would be great to get both and unite the two into an unstoppable musical force (assuming I myself possess even the remotest chance of utilizing what these programs are capable of), I think the acoustic, symphonic, rock, and ethnic libraries better suit my needs. As several film, television, and game composers use this exact collection, the temptation only grows.

Komplete sounds like a great help to musicians, while CCC sounds like a great help to composers. I consider myself to be both, but certainly use my computer far more for composing than for performing. As I begin to use it in both areas, perhaps Komplete will finally reveal itself as the piece of software I truly can’t live without, but for now I believe CCC is going to do everything I need.

The composer for Stargate uses CCC anyway. How can you deny something that awesome :)